Objective assessment of concert hall acoustics (2008)
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Objective assessment of concert hall acoustics (presentation)
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Objective assessment of concert hall acoustics using Temporal Energy Analysis (2013)
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Observations from the field—Active Acoustic Systems; (presentation)
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On a new, variable absorption product and acceptable tolerances of T30 in halls for amplified music
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On Measurements of Stage Acoustic Parameters: Time Interval Limits and various Source–Receiver Distances
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On the interaction between double basses and the stage floor (poster)
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Operating deflection modes in violins
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Orchestra Canopies ASA presentation 2011
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Orchestra Canopies—Significant Features (Paper 2006)
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Orchestra Canopies—Significant Features (presentation 2006)
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Orchestra_Conductor_Acoustics (Paper), presentation: (BNAM 2022)
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Origin of Spaces (essay)
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Parameters in Concert Hall Acoustics (research topic)
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Performers Perception (research topic)
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Phase Coherence as a Measure of Acoustic Quality: 1 The Neural Mechanism
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Phase Coherence as a Measure of Acoustic Quality: 2 Perceiving Engagement
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Phase Coherence as a Measure of Acoustic Quality: 3 Hall Design
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Prediction tools in acoustics—can we trust the PC?
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Queen Elisabeth Theatre - Spatial Sound in a Wide Room
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Queen Elisabeth Theatre: Acoustic design responding to financial realities
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Reflection Density and Attenuation on Stages and Rehearsal Halls
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Reflector above the opera orchestra pit
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Rehearsal room acoustics for the orchestra musician (full paper) (presentation)
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Rehearsal Rooms (research topic)
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Rehearsal Rooms (demo)
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Restrictions on V-T combinations related to ensemble size (presentation)
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Reverberation and Reverberance (research topic)
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Reverberation distance - is it a critical property in orchestra rehearsal rooms? (research article)
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Reverberation Time—the mother of all room acoustical parameters
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Reverberation Time—the mother of all room acoustical parameters (presentation)
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Reverberant Space (demo)
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Room acoustic parameters - distribution over concert hall seating area (paper)
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Room acoustic parameters - distribution over concert hall seating area (presentation)
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Room acoustical parameters at listeners’ ears—can concert hall preference be explained?
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Room acoustical parameters - A relevance test (presentation)
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Room Acoustical Parameters in predictions of concert hall preference - about uncertainties, explanation and understanding
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Room acoustics in two variable acoustics coupled space venues
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Acoustical aspects not covered by the common, standardised room acoustic parameters
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Rooms for music – Acoustical needs and requirements
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Schroeder Frequency Revisited
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Schroeder Frequency Revisited FA 2011 presentation
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Simplified room acoustic measurements
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Simulations and subjective rating of acoustic conditions in a symphony orchestra - a case study (paper) (IOA Hamburg presentation )
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Small Room Acoustics - The Hard Case (paper) (presentation)
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Sound Coloration
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Sound component levels in symphony orchestra musician
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Sound exposure and the hearing of musicians
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Sound exposure during solitary practice (paper) (Presentation)
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Sound Levels at a Clarinetist’s Ears During Solitary Practice (Master Thesis)
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Sound Levels in Symphony Orchestra Musicians (paper) (Presentation at BNAM 2024)
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Sound Radiation from the Chest of Bass Singers (paper)
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Sound Strength in Small Halls
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Sound Transmission Through the Orchestra (paper)
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Sound Transmission Through the Orchestra (presentation)
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Spatial listening aspects and the time-varying inter-aural cross-correlation during music performance in concert halls
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Spatial decay rate of speech in open plan offices: the use of D2,S and Lp,A,S,4m as building requirements
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Speech Acoustics (research topic)
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Speech Intelligibility Measurements in Auditorium
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Stage Acoustics (research topic)
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Stage Acoustics - Early Investigations
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Stage Acoustics for a symphony orchestra—an investigation
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Stage Acoustics for Symphony Orchestras in Concert Halls PhD thesis
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Stage Acoustics—Literature Review
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Stage conditions for orchestral performance (paper)
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Stage conditions for orchestral performance (presentation)
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Stochastic nature of Room Acoustics, Part 1 (article)
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Stochastic nature of Room Acoustics, Part 2 (article)
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Subjective and objective measures of relevance for the description of acoustics conditions on orchestra stages
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Taking account of loudness constancy for the loudness criterion for concert halls
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The acoustics of a quarry—who needs an acoustician?
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The Binaural Signal From a Symphony Orchestra (paper)
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The effect of scattering surfaces in rectangular concert halls: A scale model analysis
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The influence of Room Acoustic Aspects on the Noise Exposure of Symphonic Orchestra Musicians
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The scattering from reflector panels with convex edges
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Theory and measurement of early, late and total sound levels in concert spaces
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Time-varying IACC during Tchaikovsky 4th Symphony
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Timbre Parameters and Sound Levels of Recorded Old Violins
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Tonal response in rooms (presentation)
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Two Ears
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Uncertainties of room acoustical measurements
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Violin Acoustics History
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Voice Acoustics (research topic)
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What is old Italian timbre?
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When is a concert hall too quiet? (paper)
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When is a concert hall too quiet? (presentation)
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