Titles with links to pages, papers, presentations and posters on akutek.info

Acoustical Modeling with Sonel Mapping (paper)

Acoustical Modeling with Sonel Mapping (presentation)

Acoustical problems in large post-war auditoria

Acoustics of the Great Hall of the Moscow State Conservatory after Reconstruction in 2010–2011

Acoustics for Symphony Orchestras; status after three decades of experimental research

Acoustic description of the Great hall of the Moscow P. I. Tchaikovsky Conservatory

Ali Qapu—Historical Persian music room

A Model for the prediction of Sound Levels within a Symphonic Orchestra based on measured Sound Strength

An Acoustician’s Journey into Hearing Aids

An Improved Energetic Approach to Diffraction Based on the Uncertainty Principle

An improved low frequency radiation model for finite sound reflectors (presentation)

An in-depth analysis of the double bass to stage floor contact

A new software tool to facilitate NURB based geometries in acoustic design

Another Phantom of the Opera

Audience Engagement and Pitch, Timbre, Azimuth and Envelopment of Multiple Sources (3.6MB presentation)

Audibility of direct sound as a key to understand clarity of music and speech

Audibility of direct sound as a key to understanding clarity of music and speech (presentation)

Behaviour of lateral energy in small concert halls

Can spatial listening aspects of a hall be measured during a concert?  (ISMRA 2016 presentation)

Can source broadening and envelopment be measured directly from a music performance in a concert hall? Paper Presentation(3MB pptx) (1MB PDF);

Can we hear the geometrical measures of a violin?

Canopy Arrays (research topic)

Concert hall preference prediction—uncertainties from using a selection of data (paper) presentation

Clarity and Source Blend

Coloration from reflections—Further investigations

Computational Acoustics (research topic)

Concert Hall Acoustics, Online Rating And Beranek’s Data Collection

Concert Hall Parameters and concert hall preference IOA Dublin 2011 poster 02.08.2011

Concert Hall Parameters Relevance Test  (ICA 2010 presentation)

Concert Hall Parameters 2012—Status Report (paper) presentation

Concert Hall Parameters - We still haven’t found what we’re looking for (IOA Dublin 2011)

Concert hall preference prediction—uncertainties from using a selection of data (ISRA 2013, Toronto)

Consistency in music room acoustics (presentation)

Culling insignificant diffraction components

Differences of sound spectra in violins

Diffusion in concert halls analysed as a function of time during the decay process (paper) (presentation)

Diffusivity and Directivity (Paper 2006)

Diffusivity and Directivity (presentation)

Diffusivity and its effect on concert hall seat absorption (paper)

Diffusivity and its effect on concert hall seat absorption (poster)

Double Basses on the Stage Floor

Echoes and flutter-echoes (research topic)

Edge Diffraction in Computer Modeling

The Esplanade - From Plenum to Flytower

Early Design Criteria for Multipurpose Cultural Houses

Evaluation of Objective Echo Criteria

Frequency Limits of reflector arrays—status report (paper) (poster)

Frequency Response of Reflector Arrays

Die Geige gestrichen und verglichen  (19MB) English introduction and summary: Sound of Science—108 violins talk

The Hard Case - Improving Room Acoustics in Cuboid Rooms by using Diffusors - Scale model measurements

How dry do the recordings for auralization need to be?

How loud is my reverberation?

How much scattering is sufficient to soften the Hard Case in small room acoustics? (paper) (presentation)

Influence of ceiling profile on distribution of room acoustical parameters (paper)

Influence of ceiling profile on distribution of room acoustical parameters (presentation)

Investigation of new metrics for the characterization of musicians' room acoustical conditions in concert halls (paper) Thesis (3MB)

Korundi – The new home for the Lappland chamber orchestra

Learning Modern Acoustical Design from Traditional Choir Venues

The Lindeman Hall of Oslo ― Evidence of low frequency radiation from the stage floor

The Logomo Hall

Level balance between Self, Others and Reverb, and its significance to noise exposure as well as mutual hearing in orchestra musicians // presentation

Long-time-average-spectra of violins

Low Frequency Limit of Reflector Arrays (Paper 2006)

Low Frequency Limit of Reflector Arrays (Poster 2006)

Low Frequency Limits of Reflector Arrays (Paper 2007)

Low Frequency Limits of Reflector Arrays (Presentation 2007)

Measurements of IACC during music performance in concert halls

Model Investigations

Music Room Acoustics - Critical parameters (paper) presentation

Musicians’ perceived timbre and strength in (too) small rooms

Noise exposure of musicians: The own instrument’s sound compared to the sound from others (paper) (presentation)

A new method to predict and measure the noise control performance of a performing arts centre displacement system

Non-linear decays in simple spaces and their possible exploitation (paper) (presentation)

Objective assessment of concert hall acoustics (2008)

Objective assessment of concert hall acoustics (presentation)

Objective assessment of concert hall acoustics using Temporal Energy Analysis (2013)

Observations from the field—Active Acoustic Systems; (presentation)

On a new, variable absorption product and acceptable tolerances of T30 in halls for amplified music

On Measurements of Stage Acoustic Parameters: Time Interval Limits and various Source–Receiver Distances

On the interaction between double basses and the stage floor  (poster)

Operating deflection modes in violins

Orchestra Canopies ASA presentation 2011

Orchestra Canopies—Significant Features (Paper 2006)

Orchestra Canopies—Significant Features (presentation 2006)

Origin of Spaces (essay)

Parameters in Concert Hall Acoustics (research topic)

Performers Perception (research topic)

Phase Coherence as a Measure of Acoustic Quality: 1 The Neural Mechanism

Phase Coherence as a Measure of Acoustic Quality: 2 Perceiving Engagement

Phase Coherence as a Measure of Acoustic Quality: 3 Hall Design

Prediction tools in acoustics—can we trust the PC?

Queen Elisabeth Theatre - Spatial Sound in a Wide Room

Queen Elisabeth Theatre: Acoustic design responding to financial realities

Reflection Density and Attenuation on Stages and Rehearsal Halls

Reflector above the opera orchestra pit

Rehearsal room acoustics for the orchestra musician (full paper) (presentation)

Rehearsal Rooms (research topic)

Rehearsal Rooms (demo)

Restrictions on V-T combinations related to ensemble size (presentation)

Reverberation and Reverberance (research topic)

Reverberation distance - is it a critical property in orchestra rehearsal rooms? (research article)

Reverberation Time—the mother of all room acoustical parameters

Reverberation Time—the mother of all room acoustical parameters (presentation)

Reverberant Space (demo)

Room acoustic parameters - distribution over concert hall seating area (paper)

Room acoustic parameters - distribution over concert hall seating area (presentation)

Room acoustical parameters at listeners’ ears—can concert hall preference be explained?

Room acoustical parameters - A relevance test (presentation)

Room Acoustical Parameters in predictions of concert hall preference  - about uncertainties, explanation and understanding 

Room acoustics in two variable acoustics coupled space venues

Rooms for music – Acoustical needs and requirements

Schroeder Frequency Revisited

Schroeder Frequency Revisited  FA 2011 presentation

Simplified room acoustic measurements

Simulations and subjective rating of acoustic conditions in a symphony orchestra - a case study (paper) (IOA Hamburg presentation )

Small Room Acoustics - The Hard Case (paper) (presentation)

Sound Coloration

Sound component levels in symphony orchestra musician

Sound exposure and the hearing of musicians

Sound Radiation from the Chest of Bass Singers (paper)

Sound Strength in Small Halls

Sound Transmission Through the Orchestra (paper)

Sound Transmission Through the Orchestra (presentation)

Spatial listening aspects and the time-varying inter-aural cross-correlation during music performance in concert halls

Spatial decay rate of speech in open plan offices: the use of D2,S and Lp,A,S,4m as building requirements

Speech Acoustics (research topic)

Speech Intelligibility Measurements in Auditorium

Stage Acoustics (research topic)

Stage Acoustics - Early Investigations

Stage Acoustics for a symphony orchestra—an investigation

Stage Acoustics for Symphony Orchestras in Concert Halls PhD thesis

Stage Acoustics—Literature Review

Stage conditions for orchestral performance (paper)

Stage conditions for orchestral performance (presentation)

Stochastic nature of Room Acoustics, Part 1 (article)

Stochastic nature of Room Acoustics, Part 2 (article)

Subjective and objective measures of relevance for the description of acoustics conditions on orchestra stages

Taking account of loudness constancy for the loudness criterion for concert halls

The acoustics of a quarry—who needs an acoustician?

The effect of scattering surfaces in rectangular concert halls: A scale model analysis

The influence of Room Acoustic Aspects on the Noise Exposure of Symphonic Orchestra Musicians

The scattering from reflector panels with convex edges

Theory and measurement of early, late and total sound levels in concert spaces

Time-varying IACC during Tchaikovsky 4th Symphony 

Timbre Parameters and Sound Levels of Recorded Old Violins

Tonal response in rooms (presentation)

Uncertainties of room acoustical measurements

Violin Acoustics History

Voice Acoustics (research topic)

What is old Italian timbre?

When is a concert hall too quiet? (paper)

When is a concert hall too quiet? (presentation)