Titles with links to pages, papers, presentations and posters on akutek.info

Acoustical Modelling with Sonel Mapping (paper)

Acoustical Modelling with Sonel Mapping (presentation)

Acoustical problems in large post-war auditoria

An Improved Energetic Approach to Diffraction Based on the Uncertainty Principle (paper)

An improved low frequency radiation model for finite sound reflectors (presentation)

An in-depth analysis of the double bass to stage floor contact

Another Phantom of the Opera

Can we hear the geometrical measures of a violin?

Canopy Arrays (research topic)

Clarity and Source Blend

Coloration from reflections—Further investigations

Computational Acoustics (research topic)

Culling insignificant diffraction components

Differences of sound spectra in violins

Diffusivity and Directivity (Paper 2006)

Diffusivity and Directivity (presentation)

Diffusivity and its effect on concert hall seat absorption (paper)

Diffusivity and its effect on concert hall seat absorption (poster)

Double Basses on the Stage Floor

Echoes and flutter-echoes (research topic)

Edge Diffraction in Computer Modeling

The Esplanade - From Plenum to Flytower

Early Design Criteria for Multipurpose Cultural Houses

Evaluation of Objective Echo Criteria

Frequency Limits of reflector arrays—status report (paper) (poster)

Frequency Response of Reflector Arrays

How dry do the recordings for auralization need to be?

Influence of ceiling profile on distribution of room acoustical parameters (paper)

Influence of ceiling profile on distribution of room acoustical parameters (presentation)

Long-time-average-spectra of violins

Low Frequency Limit of Reflector Arrays (Paper 2006)

Low Frequency Limit of Reflector Arrays (Poster 2006)

Low Frequency Limits of Reflector Arrays (Paper 2007)

Low Frequency Limits of Reflector Arrays (Presentation 2007)

Model Investigations

Objective assessment of concert hall acoustics (paper)

Objective assessment of concert hall acoustics (presentation)

On the interaction between double basses and the stage floor  (poster)

Operating deflection modes in violins

Orchestra Canopies—Significant Features (Paper 2006)

Orchestra Canopies—Significant Features (presentation)

Origin of Spaces (essay)

Parameters in Concert Hall Acoustics (research topic)

Performers Perception (research topic)

Prediction tools in acoustics—can we trust the PC?

The Queen Elisabeth Theatre - Spatial Sound in a Wide Room

Reflector above the opera orchestra pit

Rehearsal Rooms (research topic)

Rehearsal Rooms (demo)

Reverberation and Reverberance (research topic)

Reverberation Time—the mother of all room acoustical parameters BNAM 2010 paper

Reverberation Time—the mother of all room acoustical parameters BNAM 2010 presentation

Reverberant Space (demo)

Room acoustic parameters - distribution over concert hall seating area (paper)

Room acoustic parameters - distribution over concert hall seating area (presentation)

Room acoustical parameters at listeners’ ears—can concert hall preference be explained?

Room acoustics in two variable acoustics coupled space venues

Simplified room acoustic measurements

Sound Coloration

Sound Radiation from the Chest of Bass Singers (paper)

Sound Transmission Through the Orchestra (paper)

Sound Transmission Through the Orchestra (presentation)

Speech Acoustics (research topic)

Stage Acoustics (research topic)

Stage Acoustics - Early Investigations

Stage Acoustics for a symphony orchestra—an investigation

Stage Acoustics for Symphony Orchestras in Concert Halls PhD thesis

Stage Acoustics—Litterature Review

Stage conditions for orchestral performance (paper)

Stage conditions for orchestral performance (presentation)

Stochastic nature of Room Acoustics, Part 1 (article)

Stochastic nature of Room Acoustics, Part 2 (article)

The acoustics of a quarry—who needs an acoustician?

The scattering from reflector panels with convex edges

Tonal response in rooms (presentation)

Violin Acoustics History

Voice Acoustics (research topic)

When is a concert hall too quiet? (paper)

When is a concert hall too quiet? (presentation)